Why Doesn’t Elie Wiesel Sue Me for Libel?

Wednesday, March 13th, 2013

By Carolyn Yeager

Have you ever wondered that? I sure have. If this website Elie Wiesel Cons The World is telling lies about him, it would be the natural thing to do. In the same vein, if Elie Wiesel has the number A7713 tattooed on his arm, as he says he does, it would be very easy to show it to the world and put me out of business. It is inexplicable that he doesn’t do it if he could. The only logical conclusion to reach is that he can’t … because he doesn’t.

Not only does Elie Wiesel not sue me, he doesn’t go after Nikolaus Grüner either, who called him a liar before I did. Grüner did try to sue Elie Wiesel, though, but was prevented from doing so by the courts and legal systems that protect Wiesel according to Zionist orders.

I’m told the United States Holocaust Memorial Museum closely follows this blog. I have said many negative things about the museum, too. For instance, that it is a criminal conspiracy to  defraud the American people — certainly to defraud the American taxpayers out of fifty or so million dollars a year.  I have accused the USHMM of blatant lying, of perpetuating false information even after it knows it is false, of creating an atmosphere of hate against anyone Jews don’t like. And, yes, of being totally run by Jews for Jewish interests — not the interests of history — very similar to the OSI (Office of Special Investigations) in it’s disreputable and downright illegal tactics.

I will be doing a new article on the relationship between these organizations  — in 2010 the OSI was merged into the Human Rights and Special Prosecutions Section of the Domestic Security Section of the Justice Dept.

Elie Wiesel and the USHMM – a mutually beneficial relationship

I have previously written about the symbiotic connection between Elie Wiesel and the national holocaust museum he was instrumental in creating in this country – the USA. Built in Washington D.C. on federal ground amidst the national monuments to American history, this parasitical monstrosity pretends to be something that helps to insure the American idea of freedom and democratic principles around the world!

A faithful reader recently wrote to me:

Did you know the USHMM was closely following your blog?

Two weeks ago, I landed on the Oral History site; I did not intend to watch the VDO, but scrolling down the page, saw there was a clickable link to the transcript of the interview in .doc or .pdf format. That’s quite handy and I downloaded a couple every day till the 26th, when I posted my comment [here at EWCTW] with a link to their site on one of the rare  pages without a clickable link.  Guess what? – on the evening of the very same day each and every link had been disabled.

Well these testimonies have been recorded in the late 80s or early 90s, before the advent of the net and they believed they could get away with telling anything … (Bomba tells he dug a bunker in the ghetto for 50-60 people, loading it with food for 2 YEARS, apparently in a matter of days … to fifth-graders).

I am not surprised at that. I too see  changes based on what is exposed on Elie Wiesel Cons The World. Just one example is Wiesel’s now more secret visits to Chapman University after I so effectively panned his first visit as a “Distinguished Presidential Fellow” in March 2011,  based simply on what I read in the local and campus newspapers. We also had a fellow, Steve, pass out flyers at a Wiesel talk during that same visit. Since then, Wiesel’s visits and talks have been handled differently. In his 2012 visit to Chapman, there was no publicity and Wiesel only appeared to students in very private and secure settings. So far, there have been no announcements of his 2013 visit that I have seen.

So they react, but they are careful not to ever mention this web site or my name in any way. To object in any way about it or me would mean they would have to show, demonstrate, prove, provide evidence or give testimony that I am wrong. They know beforehand they cannot do that because they know they are the liars, not me. They depend on the news and entertainment media to keep the public believing they have noble aims.

I would have to say that Elie Wiesel and the USHMM are afraid to touch this web site because of the deep research I have done, to which they have no answers or rebuttal. Without the power of the media covering for them, and all branches of the U.S. government backing them, they would wither and die from their lack of credibility.

Their chosen method is to stay in generalities and avoid specifics

The powers that are behind Elie Wiesel and the USHMM know that they can only succeed by using generalizations like “hate,” “genocide,” “anti-Semitism,”  “religious persecution,” “6 million,” etc. along with such vague “legal” language as  “stirring up racial hatred” and “encouraging contempt for individuals or groups”.  No legal system that has acquiesced to what the Jews want in the way of protections for themselves will allow for  introduction of evidence that actually pertains to truth or falsehood of specific elements of the narrative.

Both Elie Wiesel and the USHMM make specific charges against those they call the perpetrators of evil, but they will never answer to the denial by said “perpetrators” that they committed these evils. Via the total postwar power assumed by the victors of World War II (those who brought about WWII in order to gain this power!), this question was never allowed consideration. Again, it was the media that did the job.

Legal Definition of libel

1) n. to publish in print (including pictures), writing or broadcast through radio, television or film, an untruth about another which will do harm to that person or his/her reputation, by tending to bring the target into ridicule, hatred, scorn or contempt of others.

What I do here seems to fit that (apart from the word “untruth”), but there is no response from those who are so targeted.  Of course, my intention is to discover and to tell the truth, not to slander. The only complaints I get are a few comments, and once in awhile an email, from ardent fans of Elie who chastise me for being insensitive to the man’s suffering — which to their illogic means to them he can have no reason to lie about it and would only tell the truth. (And if he doesn’t, well – that is excused on the same grounds.) To their thinking, Jewish suffering excuses all moral failings. These writers are mostly female and young, appearing as though they had looked up Elie Wiesel on the Internet,  come upon this site and were shocked by it. Unfortunately, these young’uns would be the first to use the “chosen method” described above, that is, to judge harm done according to “selected” peoples’ feelings. That is the only way anyone will ever touch it.

Gigantic Fraud Carried Out for Wiesel Nobel Prize

Monday, September 12th, 2011

By Carolyn Yeager

Proof that the man in the famous Buchenwald photograph is NOT Elie Wiesel.

With the help of the New York Times and the U.S. Holocaust Memorial Museum, Elie Wiesel and his backers did not shy away from criminal deceit by purposely misidentifying an unknown face in this famous photo as belonging to Elie Wiesel.

 

The above high-resolution photograph of Buchenwald survivors was first published in the New York Times on May 6, 1945 with the caption “Crowded Bunks in the Prison Camp at Buchenwald”. [click on image twice to enlarge fully] It was taken inside Block #56 by Private H. Miller of the Civil Affairs Branch of the U.S. Army Signal Corps on April 16, 1945, five days after the Buchenwald camp was liberated by a division of the US Third Army on April 11, 1945. None of the men in the picture were identified at that time.

The U.S. Army photographer was in block #56, not #66

The U.S. Army photographer said he was inside Block #56. The “children’s block” that housed the so-called “boys of Buchenwald” was #66. This was not a typo. Note that these men are not children or teenagers, except for the youngster on the lower left who has been correctly identified as 16 yr. old Myklos (Nikolaus) Grüner, and maybe a couple others. These adults appear to be a mixture of sick individuals suffering from a wasting disease (Grüner learned after liberation he had TB), along with basically healthy men who were also in that block, for some unknown reason, five days after they had been freed. As we have read from many Buchenwald inmates, they moved about at will from the day of liberation onward. In Elie Wiesel’s book Night, he even says that some of the boys in his block went to the city of Weimar the very next day to steal potatoes and rape girls.

The true facts of this photograph have never been told and perhaps are not known. (Grüner has written in Stolen Identity that he left a procession of youths being led to the camp entrance on the morning of April 11, scurried into the nearest barracks and jumped into an empty bunk space. It turned out to be this one.) But because of the man standing there stark naked except for a piece of clothing held in his hands to cover himself, this photograph was certainly staged. In any event, it was never represented as the “children’s barracks.” Still, Elie Wiesel inexplicably once told an interviewer for the German weekly Die Zeit that this photograph was taken in the Children’s Block and all these men were really teenagers even though they looked old. (Source: “1945 und Heute: Holocaust,” Die Zeit, April 21, 1995.)

Kenneth Waltzer wrote to this website EWCTW on Nov. 14, 2010: “Eli Wiesel was indeed the Lazar Wiesel who was admitted to Buchenwald on January 26, 1945, who was subsequently shifted to block 66…” and Waltzer repeated in another comment on June 27, 2011 that “— after his father died — Elie Wiesel was moved in early February to block 66, the kinderblock. Miklos Gruner too was in block 66. Elie Wiesel was there with other boys from Sighet, who knew him.”

But we are also to accept that on April 16 Wiesel was in block 56, even though he didn’t report any such move in his book Night.  In fact, in that fictitious story, Wiesel says he became deathly ill with food poisoning three days after liberation (April 14) and spent the next two weeks in hospital (pg 115, Marion Wiesel translation). That in itself precludes his being in this photograph taken on April 16!

Whom do you believe—the New York Times or your own eyes?

 Not Wiesel at age 16 in 1945

You can see for yourself from these two high-quality photographs supplied to me by a helpful reader that the face on the left  is not Wiesel. A close inspection of the prisoners in the bunks in the famous photograph reveals that the eyebrows on many (including the one on the left above) were emphasized with a dark crayon/pencil … in other words, retouched or “photo-shopped.” On the right is what is claimed to be Elie Wiesel in 1944 at the age of 15.

The inmate on the left definitely has an aquiline nose and full, even sensual, lips. In this close-up, the receding hairline is visible on the recently shaved head.  On the right, the real 15-year-old Elie Wiesel exhibits a normal youthful hairline, a bigger and longer nose and thinner lips. He also has a higher forehead and longer face than the more roundish-headed inmate. The eyes of the man on the left are not as deep-set under the eyebrows. His somewhat surprised, curious expression is not typical of Wiesel, whose expression was generally reserved, and often hooded.

The close-up on the left  appears to be the real Elie Wiesel in France later in 1945. He would be 17 or almost 17 years old in this picture. Notice the non-receding, youthful hairline with a very long front lock hanging to the side, and the straight nose .

This close-up image  is from the photograph below, which is found at the USHMM Survivor Resource Center with the caption given below. (click here or on lower pic for an undistorted, larger image)

 

 

 

Above, Jewish boys gather for a prayer service in a chapel in an OSE children’s home in 1945. Those pictured include Elie Wiesel (seen in profile) and Jakob Rybsztajn standing next to him facing the camera.  (I note that Elie Wiesel is older than the other boys in this picture, giving support to the idea that he acted in the role of counselor and sometime teacher to the newer, younger religious boys.)

Notice again the straight nose, the high forehead, deep-set eyes, large ears, sensitive mouth and slender neck. But also look at all that hair! The date of this picture is given by USHMM as 1945 and the location as Ambloy, [Loir et Cher] France.  It says in the accompanying text “In October 1945 the children and staff of Ambloy were relocated to the Chateau de Vaucelles in Taverny (Val d’Oise).”  That means this picture was taken between June and October 1945. They could have been celebrating Rosh Hashana, Yom Kippur or Sukkot.

But could his hair have grown to such a length from a shaved head in April 1945? No way, and thus we have  another proof that the liberated Buchenwald inmate with the shaved head is NOT Elie Wiesel. 

A PDF from my valued contributer examines the ages of the small group more closely. In my opinion, he has the ages of all four men a little too young but especially #2 and 4. Take a look:  four men in bunk

Who first identified Elie Wiesel in the famous Buchenwald liberation photo?

In October 1983 the Jewish-owned New York Times published this photograph as part of an article in its high circulation Sunday NYT Magazine with the caption: “On April 11, 1945, American troops liberated the concentration camp’s survivors, including Elie, who later identified himself as the man circled in the photo.”

 

It was also in 1983 that Wiesel’s friend Sigmund Strochlitz began campaigning for a Nobel prize for Wiesel. Letters of nomination are due into the Nobel committee by Feb.1 of each year, so by January 1984, the committee was  receiving letters nominating Wiesel from U.S. Senators such as Daniel Moynihan and Barry Goldwater (both Jewish). [see “How Elie Wiesel Got the Nobel Peace Prize“]  The effort continued, with new and ever more innovative ideas, through 1985 and 1986 with the help of Jew John Silber, President of Boston University, Wiesel’s employer. Hundreds were enlisted into the effort.

The 1983 article in the New York Times that was the opening gun of the campaign was written by Jew Samuel Freedman and titled “Bearing Witness: The Life and Work of Elie Wiesel.” It included this line: “His name has been frequently mentioned as a possible recipient of a Nobel Prize, for either peace or literature.” Well, it had just begun to be mentioned … by this team of cheerleaders.

Wiesel pretends that he had nothing to do with it. In an interview in France in 2009, he said: “If you fight or if you do scientific research to get the Nobel, you never succeed and you should not succeed.” (Elie Wiesel, “messager de la memoire”) No, he did not fight but his mercenaries fought for him, and he used this photograph as his “research.” That this photograph played a large role is shown by the fact that immediately after the Nobel award ceremony in December 1986, Wiesel went to Yad Vashem Memorial in Jerusalem and posed in front of its prominent display there.

After the award was announced by the Nobel Committee, the New York Times  published on Nov. 1 a severely cropped version of the Buchenwald photo (below) with the caption: “Elie Wiesel, the winner of the Nobel Peace Prize (at far right in the top bunk) in the Buchenwald concentration camp in April 1945, when the camp was liberated by American troops.” The picture accompanied an article by Jew Martin Susskind titled, “A Voice from Bonn: History Cannot Be Shrugged Off.”

The role played by the tax-payer funded United States Holocaust Memorial Museum

Elie Wiesel finagled his way to becoming Founding Chairman of the United States Holocaust Memorial Council in 1980 after being chosen in 1978 by President Jimmy Carter as chairman of the President’s Commission on the Holocaust. Why the United States needed to do anything at all about the “Holocaust” is something only the 2.5% Jewish population in this country can answer. It is to satisfy them. Wiesel continued to chair the Council until 1986, when he reached his goal of becoming a Nobel Laureate. The USHMM was undoubtedly an important institutional heavyweight that leveraged him to the Nobel.

The USHMM naturally accepted that Wiesel was in the famous photograph as soon as he and the New York Times said he was. If you think the museum staff does real research, is searching for truth and/or is engaged in scholarship of any kind, you are badly mistaken. The museum represents official power only and is invested in keeping it in Jewish hands.

This photograph is the only document tying Elie Wiesel to the Holocaust

The only document that connects Elie Wiesel to the Auschwitz-Birkenau and Buchenwald experience he claims to have—in other words, his claim to be an authentic “Holocaust survivor”—is the famous Buchenwald liberation photograph. There are no records with his name and birth date for either camp. His books do not support his presence there very well. That’s why the Wiesel promoters, who wanted to anchor their man’s claim to be the unchallenged spokesman for the world’s greatest victims—which winning a Nobel prize would surely do—decided that they could pawn that unknown face off as the face of Wiesel. This decision was made in 1983. It’s certain that Elie Wiesel took part in making it, though the pretense is kept up by all that he was aloof from the entire process.

What you must do

When you comprehend the immense power that this simple photo comparison and commentary gives us, you know that we have it in our hands  to break down the Wiesel legend if this knowledge is widely circulated. If you understand this, you know what you must do. You must post this article everywhere you can, you must tell everyone about it, send it to all you know … make sure that this photo comparison moves through the Internet and finds a home in as many places as possible.  And keep it up, because once is not enough. I’ve done my part, readers. Now it’s up to you.